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School of Fine Art based on classical methods

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Month: November 2014

Introduction to Oil 1.2 and 1.3

November 24, 2014

A final look at the first project in Introduction to Oil Painting: White Object. On the right is the finished study, 5 x 7 inches. The total number of color passes are 2, using neutralized ultramarine blue and burnt sienna.

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Color Fundamentals/Pencil, 1.2

November 20, 2014

UsingĀ a complementary color palette: the first method in which we bring in an additional color to affect the way color can change the value (darkness and light) of a single color. In this case, the chosen “dominant” color, that is the overall most important color of the still life. For this project, we are using … More Color Fundamentals/Pencil, 1.2

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Color Fundamentals/Pencil, 1.1

November 12, 2014

Working with color: understanding the dynamics of choosing harmonies, and working with layers. This sequence will focus on practicing in that arena. We’re back again, with another great group of new students working toward practicing their color drawing, using colored pencils. This is the first day of class, and we look carefully at the color … More Color Fundamentals/Pencil, 1.1

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Betina Fink, founder Tucson Classical Atelier

Betina Fink Arts/Tucson Classical Atelier

Betina Fink Arts/Tucson Classical Atelier
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effie elisabeth

Due to COVID, our summer program at Stanford is cancelled. Check back this fall for info on Summer 2022.

Student journalists asking questions. For real.

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blogging about painting | by maggie capettini

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cosmic holly

musings of a psychedelic punk rock renaissance yogini and late-blooming athlete

In 365 Tagen um die Welt

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In touch with Mother Nature

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Just another WordPress.com site

Waincraft

Following the Call of the Land

The Druid's Well

Falling in Love with the Whole World

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Annerose Georgeson

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Photographer, Painter, Purveyor of Opinion

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Placemaking for Healthier Communities and a Healthier Planet

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Trying to live a creative life

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