Oversized gourds are beautiful when bathed in a directional overhead light, and we’re going to use them as subject matter for a two session painting intensive, studying the classical method (6 hours in total). First we start with a tonal drawing. Here’s mine using a gourd that had the light placed slightly differently: … More Painting Boot Camp: Classical
Compositions in Hi-Key: light values, with pin-points of dark emphasis. A wonderful way to create visual punctuation points throughout your drawing. We’re going to use light tints of the chosen palette. Students may choose their palette based on their perception of color relationships, what they see as a dominant color helping to choose the direction … More Drawing With Color 2.5 (also called 2.3 in revised class)
This class uses pastel in the place of colored pencil for this lesson 2.3, and 2.4 (also 2.7 and 2.8). We use pastel because of the different properties that it has when it comes to mixing color and using it compositionally. Pastel hues mix physically to create different values and colors, as opposed to colored … More Drawing With Color 2.3
Student journalists asking questions. For real.
blogging about painting | by maggie capettini
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Unterwegs mit Sprechreiz
In touch with Mother Nature
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Following the Call of the Land
Falling in Love with the Whole World
Photographer, Painter, Purveyor of Opinion
Placemaking for Healthier Communities and a Healthier Planet
Trying to live a creative life
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TONALIST AND REPRESENTATIONAL FINE ART
Nicholas Herbert
